My provocations of nature are attempts to re-signify a lost language between nature and humans. In homage of dead (dying) trees, I create posthumous reconstruction of their forms to encourage human reflection on the universal nature of being. Time as recorded in the woody material is fragmented into cubes where eco-conceptual history in the object is rearranged. Reinvested back in its natural environment, the object mirrors humanity and the new nature of existence as overlapped by a digital mainframe. In demonstration of the omnipresent technological grid of human reality, these trees appear as tangible and physical glitches within natural, rural and urban landscapes.