Symposium Panelists

Ashton Allan, Washington, DC
Designer, Architect
Architect, STUDIOS Architecture
ashtonallan.com
www.studiosarchitecture.com

José Balcells, Valparaíso, Chile
Sculptor, Professor
Founding Member, Ciudad Abierta, Ritoque, Chile
Professor of Architecture, Pontificia Universidad Católica de Valparaíso
www.amereida.cl/ciudad-abierta/campus
www.profesores.ucv.cl/josebalcells

Sharon Fogarty, New York, NY
Artistic Director, Professor
Co-Artistic Director, Mabou Mines
Assistant Professor of Theater, Barnard College
www.maboumines.org

François Fréchet, Monbazillac, France
Environmental Sculptor/Soft Architecture/Landscape Design
Officer, AiNIN (Artists in Nature International Network)
pagesperso-orange.fr/francois.frechet

Cornelia Konrads, Bad Münder, Germany
Environmental Artist/Landscape Design
http://www.cokonrads.de/

Michael Nairn, Philadelphia, PA
Landscape Architect/Ecological Design, Professor
University of Pennsylvania
urban.ssc.upenn.edu

Diane Wittry, West Orange, NJ
Music Director, Conductor
Allentown Symphony Orchestra
Norwalk Symphony Orchestra
www.dianewittry.com
http://www.beyondthebaton.com/


Please note that, due to illness, W. Gary Smith will not be participating in the Symposium.

W. Gary Smith, Austin, TX
Landscape Architect, Garden Designer
Principal, W. Gary Smith Garden Design
www.wgarysmith.com/design

 

Guest Speakers

* Fitz Patton, New York, NY
Composer, Sound Designer
www.fitzpatton.com

* Lisa Saltzman, Bryn Mawr, PA
Professor, Author
Professor of History of Art, Bryn Mawr College
Director, Center of Visual Culture, Bryn Mawr College
www.brynmawr.edu/hart/lsaltzman.html
   
 

* Note that the Guest Speakers will not be in attendance at the Open Session of the Symposium on July 25.

 

Symposium Host

Ralph Crispino, Jr., East Haddam, CT
Founder, Executive Director
The I-Park Foundation, Inc.
www.i-park.org

 

Major Discussion Topics

1 - Introduction of the Thanatopolis Concept
      - The need for a physical space, a public space
      - Primacy of the immediate surviving generation
      - Cultural relevance
      - Aesthetics
      - Thanatopolis within the I-Park master plan
      - Integrating the creative disciplines


2 - Memory in the Sacred Space: The Thanatopolis Proposition
      - Sympathetic surroundings
      - Complexity versus simplicity
      - Distortion, misdirection, camouflage, illusion
      - Subjective versus universal evocations, the scourge of symbolism
      - Receptivity to memory: humility, ennoblement, associations
      - Enhanced contemplation, reflection
      - Attenuation of memory
      - Memory as a means of discovery
      - Sequencing, intervals, cycles
      - Advances in neuroscience 


3 - Landscapes of Memory:
        Sites, Non-Sites and the Possibilities of Place
     Guest Speaker: Lisa Saltzman


4 - The Living Memorial: The Thanatopolis Proposition
      - Individual memorials
      - The Gaudi Memorial: abstraction versus specificity
      - The Affinity Memorial
      - The role of the garden and the natural landscape
      - Event memorialization, commemoration
      - Cremated remains versus the cenotaph
      - Interactivity
      - Ephemeral memorials


5 - Materials: The Thanatopolis Proposition
      - Permanence versus impermanence,
        including maintenance considerations
      - Decomposition as a design element
      - Soft Architecture: ceramics, wood, masonry, glass, resins,
        bone, metals, brownstone
      - Tensile structures
      - Temporary structures
      - The super wild, gnarly, garden – ‘editing’ the existing landscape
        (a Bill of Rights)
      - Architectural glass, cast/wrought iron canopies, shrouds


6 - Overview: Inspiring Memorial Parks from Around the World
      - Ciudad Abierta (Juan Purcell)
      - Igualada (Enric Miralles)
      - Brion-Vega (Carlo Scarpa)
      - Urbino (Arnaldo Pomodoro), un-built
      - Mount Auburn, Forest Hills
      - Montparnasse, Pere Lachaise
      - Oakland Columbarium
      - Finisterre


7 - Interment, Anniversary Memorial Service, Dia de los Muertos
      - Dignity, impact
      - Ceremony, Performance
      - Ritual Adieux
      - Water, fire
      - Music, Sound Sculpture
        Tone sequence/Annunciation
        Processional
        Memorial composition


8 - Sound-scape of the Sacred Space
     Guest Speaker: Fitz Patton


9 - Defining the Thanatopolis Space
     The Character of the Space:
      - Creating a sacred space: mystery, the sanctum sanctorum,
        invisible design
      - Privacy in the public space
      - Site specificity, deep integration
      - Proper balance between the natural landscape and
        the creative interventions
      - A proper verge between Thanatopolis and other
        functions/activities at I-Park
      - Scale, proportion: intimacy, expansiveness
        (impact on receptiveness to memory)
      - Egalitarian ethos
      - Embrace or rejection of tradition/custom
      - Hang time: physical comfort, a sense of connection/possession

      The Physical Space:
      - Ultimate location: current site by the pond, new location across
        the river, off site?
      - Incorporating the water, air and subterranean spaces:
        floating memorials, caves
      - Demarcation: walls, fencing, screening, gates, vistas
      - Thanatopolis as a field or as a path/journey?
      - Environmental preservation: a light footprint on the land


10- Review of Submissions
      - Statement of Selection Committee: quantity, quality, responsiveness
      - Feedback from applicants: concerns, questions, enthusiasm
      - Presentation of leading submissions


11 - Execution
       - Sole visionary architect
       - Design team: memorial park by committee
       - Curated versus a free-form aesthetic
       - Organic, participatory development
       - The Ciudad Abierta method: primacy of the poetic act
       - The Environmental Art method: primacy of with the site
       - Architectural approach: primacy of the program
       - I-Park approach: primacy of music
       - Digging right in without a plan – seeing what emerges
       - Partnering with an existing institution
       - Sustaining the vision
       - Delegation: trust, like-spiritedness 


12 - Integrating the Creative Disciplines: Redux
       - Achieving consensus
       - Role of the Selection Committees
       - Inter-disciplinary collaboration


13 - Giving Shape to the Thanatopolis Exhibition
       -
Achieving a coherent vision for the event,
         defining measures of success
       -
Generic versus themed memorials
       -
Clarification, simplification of the Thanatopolis concept:
         establishing an accessible identity and sense of purpose


14 - Practical Considerations
       -
Zoning, land use restrictions
       -
Public perceptions, acceptance: ‘the first one in’
       - Economic considerations including opportunities for artists
       - Creating a destination
       - I-Park’s core competencies

 


Optional Topics
       - Thanatopolis Noir
            Light Garden
            Light Sculptures
            Illuminations
            Fire Art
       - Waterworks projects
       - The Angel’s Hopyard: a role for joy, irony?
       - Re-imaging the eulogy
       - Pyrotechnical/Percussive Effects
       - Electronics in the park
       - Ceremonial pond vessel, carriage
       - Sound-scape: modifying/enhancing the I-Park din
       - Children’s section
       - Historical record of the I-Park grounds: native population,
         geology, agriculture
       - Potential connection to the adjoining Foxtown Cemetery
       - Garden types
       - Symposium documentation (catalog, video)
       - Community gardens
       - How/what to present to the public on Sunday
       - Handicapped access